00:00	Slow rock groove is established; notice the bass clarinet.
00:36	Trumpet enters with short fragmented phrases that became a trademark of the Davis style. Notice that the harmonic pocket does not change throughout the entire selection. The energy created by the rhythm section continues to build.
02:18	Davis pulls away chromatically from the harmonic center.
02:45	The rhythm section continues to build energy. Notice the comping patterns of the guitar and keyboard.
04:00	Davis drops out. The interplay among the rhythm section players is essentially co-soloing. Notice the short chromatic excursions by the guitar and keyboard players. The guitar emerges as the dominant soloist.
06:25	The soprano saxophone emerges as the dominant soloist but still shares the solo stage with the other members of the ensemble.
07:00	Continued collective improvisation.
08:05	Keyboard solo takes the dominant role. Notice the interplay between the keyboard and guitar players.
09:25	The excitement builds as more cross rhythms and solo trade-offs occur.
10:02 This climax comes very close to free jazz except for the drum patterns.
10:26	More chromatic pull activity in the comping instruments.
10:35	The energy begins to subside.
10:43	Davis enters over a much more subdued backup.
11:48	A return to the high energy, with faster interchanges among players and faster melodic phrasing by Davis.
12:10	Energy again subsides. 
13:00	(approx.) The energy again increases. Listen for how the rhythm section contributes to that energy.
13:38	Davis drops out as the rhythm section begins to fade out.
14:01	End.